CURRICULUM VITAE
ELLIOT ANDERSON
Associate Professor of Art and Digital Media
Art Department
University of California Santa Cruz
RESEARCH INTERESTS
Electronic art, Digital Media, Augmented Reality, Documentary, Social Practice, Animation, Photography, Landscape
EMPLOYMENT HISTORY
| 2008 | Associate Professor, Art Department, UC Santa Cruz |
| 2001 – 2008 | Assistant Professor, Art Department, UC Santa Cruz |
| 1997 – 2001 | Lecturer, Art Department, UC Santa Cruz |
| 1997 – 2000 | Lecturer, Center for Digital Media, San Francisco Art Institute |
| 1997 | Lecturer, Inter Arts Center Graduate Program, San Francisco State University |
| 1996 | Lecturer, Art Department, University of California, Davis |
| 1994 – 1993 | Lecturer, Multi-media Studies Program, San Francisco State University |
EDUCATION
| 1994 | M.A., Masters of Arts in Creative Arts, Interdisciplinary Studies, Inter-Art Center, San Francisco State University, 1993 – 1994 |
| 1993 | B.A., Bachelor of Arts in Art, Cum Laude, San Francisco State University, California, 1991 – 1993 |
| Bachelor of Science program in Computer Engineering, Northeastern University, Boston, Massachusetts (no degree), 1982 – 1986 |
EXHIBITIONS
SOLO EXHIBITIONS
| 2009 | Equivalents, Gallery 16, San Francisco, CA. (Feb. – Mar) | |
| 2007 | Average Landscapes, Collection Connections Gallery, M.H. de Young Museum of Art, SF, CA. (Jan – May) | |
| 2007 | Natural History, Gallery 16, SF, CA. (Feb. – Mar.) | |
| 2004 | CAMS, Gallery 16, San Francisco, CA. (Mar-Apr) | |
| 2000 | The Temptation of St. Antony, Digital Matter, Digital Memory, Kenderdine Gallery, University of Saskatchewan, Saskatoon, Canada (Feb-Apr | |
| 1996 | Pharmakon, Gallery 16, San Francisco, CA |
GROUP EXHIBITIONS
| 2019 | Average Chandeliers, With(out) With(in), San Francisco Arts Commission Galleries San Francisco, CA (April – June) | |
| 2018 | Average Niagara, de Young Museum, San Francisco, CA (exhibited as part of the De Young Museum’s permanent collection. Installed in contemporary gallery in 2018.) | |
| 2016 | In Conversation With, R. Blitzer Gallery, Santa Cruz, CA. (April – May) | |
| 2015 | SX-70 2nd Floor Projects, San Francisco, CA (April – June). | |
| SX-70, Form as Color/Color as Form, c2c Project Space, San Francisco, CA (September – October) | ||
| 2014 | Average Landscape, Wish You Were Here, Sun Valley Center for the Arts, Sun Valley, ID (December 2014 – February 2015) | |
| 2013 | Average Landscapes, Makeover, Samek Gallery. Bucknell University, Lewisburg, PA. (April – June) | |
| 2012 | Silicon Monuments, Augmented Reality Tour, ZER01, San Jose, CA (September). | |
| 2011 | Common/Waste, As Yet Untitled, residency/exhibition in collaboration with Nonsite Collective. Camerawork Gallery, San Francisco, CA. | |
| 2010 | Average Niagara. Photo/Synthesis, M.H. de Young Museum of Art, San Francisco, CA (May – October). | |
| Non-Site: Alamos Creek. Groundswell, KALA Art Institute, Berkeley, CA. Curated by Betty-Sue Hertz, Director of Visual Arts at The Yerba Buena Center for the Arts (May – July). | ||
| Equivalents, Cielo/Sky, Sala de exposiciones del Parque García Sanabria,Santa Cruz de Tenerife, Canary Islands, Spain. (February – March) | ||
| Tour of the Monuments of Silicon Valley. Augmented reality tour of Superfund sites in Silicon Valley. SJ01 3rd Biennial Global Festival of Art on the Edge, San Jose, CA (September) | ||
| Cathexispin, SJ01 3rd Biennial Global Festival of Art on the Edge, San Jose, CA (September) | ||
| unsanitized, Chronotopia, SOMA Arts, San Francisco, CA (June – July) | ||
| 2009 | Non-Site Alamos Creek. Full Disclosure. Sesnon Gallery UCSC, Santa Cruz, CA. (October – December). | |
| Average Landscapes and Equivalents, Featured Artist, DigitalArt.LA International New Media Expo, Los Angeles, CA (August). | ||
| Average Fire, Average Architecture 1, A Cause for Art. Sande Webster Gallery. Philadelphia, PA. (July – August) | ||
| unsanitized. LINEAGE: Matchmaking in the Archive. San Francisco GLBT Historical Society, San Francisco, CA. (June – October). | ||
| Facades, Victory Media Plaza, Dallas, TX (Jan. 2008 – Jan. 2009) | ||
| 2008 | Smile, Love and Its Discontents, Collective: Unconscious, New York, NY | |
| CathexiSpin, SJ01 the 2nd Biennial Global Festival of Art on the Edge, San Jose CA | ||
| CathexiSpin, Interrupt! Intervene! Rethinking Art as Social Practice: Art Conference, UCSC, Santa Cruz, CA (June) | ||
| CAMS, Natural History, Icelandic Houses, AAF Art Fair. New York, NY. (June). | ||
| 2007 | O Wall, The Great Wall of Oakland, Public Art Program for the City of Oakland, Oakland, CA. (October 2007) | |
| Average Landscapes, There’s No Place Like Here, Sonoma State University, Rohnert Park, CA. (Nov. – Dec) | ||
| fuse/ fureru (FUSE), Sesnon Gallery, University of California, Santa Cruz, Santa Cruz, CA (Apr. – May) | ||
| fuse/ fureru (FUSE), Tokyo Zokei University Gallery and Museum, Tokyo, Japan (May) | ||
| fuse/ fureru (FUSE), Gallery AUBE, Kyoto University of Art and Design, Kyoto, Japan (May) | ||
| CAMS, Natural History, Icelandic Houses, Aqua Art Fair in conjunction with Art Basel Miami. Miami, Fl. (December) | ||
| CAMS, Natural History, Icelandic Houses, AAF Art Fair. New York, NY. (June). | ||
| CAMS, Icelandic Houses, Natural History, Art LA Los Angeles International Contemporary Art Fair. Los Angeles, CA. (June). | ||
| 2006 | CAMS, Natural History, Icelandic Houses, Aqua Art Fair in conjunction with Art Basel Miami. Miami, Fl. (December) | |
| CAMS, Natural History, Icelandic Houses, AAF Art Fair. New York, NY. (June). | ||
| CAMS, Icelandic Houses, Natural History, Art LA Los Angeles International Contemporary Art Fair, Los Angeles, CA. (June). | ||
| 2005 | CAMS, Icelandic Houses, Art LA Los Angeles International Contemporary Art Fair, Los Angeles, CA. (June). | |
| 2003 | Don’t Trip Over the Wire, Sesnon Gallery, University of California, Santa Cruz, CA (Jan – Feb) | |
| Null, Drive-By Shooting, New Langton Arts, San Francisco, CA (July) | ||
| 2002 | Tea for Two, Luff, Mr. Sophistication, Urban Myths, New Langton Arts, San Francisco, CA | |
| Subterraneans, Fascination, Gallery 16, San Francisco, CA (Aug-Sep) | ||
| Pharmakon, High Tech/Low Tech, Bedford Gallery, Walnut Creek, CA (Mar-Jun) | ||
| 2001 | What’s a Tortoise?, LifeLike, New Langton Arts, SF, CA (Jun-Jul) | |
| The Future is All Smiles, LifeLike, New Langton Arts, San Francisco, CA (Jul) | ||
| I Am Telling the Truth, Neuro-Notations, The Physics Room, Christ Church, New Zealand (Jan-Feb) | ||
| 2000 | Bête, Neuro-Notations, Sesnon Gallery, University of California, Santa Cruz, California (Mar-Apr) | |
| 1999 | Bête, Neuro-Notations, Arts Commission Gallery, SF, CA (Jan-Mar) | |
| 1998 | Just Be Yourself, Performative Acts, McBeen Gallery, San Francisco Art Institute, California | |
| Pharmakon, Bay Area Art+Tech, Duke University Museum of Art, Durham, North Carolina | ||
| 1997 | Pharmakon, Group Exhibition of Gallery 16 Artists Gallery 16, San Francisco, CA | |
| Pharmakon, Inter:penetration, Northern Illinois University Gallery, Chicago IL. |
SET DESIGN
| 2007 | Video/animation projection for performance of Facades by composer Phillip Glass in collaboration with conductor Nicole Paiement. Blue Print series, The San Francisco Conservatory of Music (October 2007). | |
| 2007 | Video/animation projection for performance of O Wall by composer Betsy Jolas in collaboration with conductor Nicole Paiement. The Kennedy Center for Performing Arts, Washington DC (May 2007). | |
| 2005 | Sets for dance and new music performance, Rituel III, computer controlled interactive video projection in collaboration with composer Hi Kyung Kim, Associate Professor of Music, UCSC and dancer Ae Ju Lee, Korean National Treasure for Buddhist Dance and Professor of Dance, Seoul National University, Seoul, Korea. Pacific Rim Festival, University of California, Santa Cruz, CA | |
| 2005 | Sets for dance and new music performance, Rituel III, computer controlled interactive video projection in collaboration with composer Hi Kyung Kim, Associate Professor of Music, UCSC and dancer Ae Ju Lee, Korean National Treasure for Buddhist Dance and Professor of Dance, Seoul National University, Seoul, Korea. San Francisco International Arts Festival, Palace of Fine Arts, San Francisco, CA | |
| 2005 | Sets for dance and new music performance, Rituel III, computer controlled interactive video projection in collaboration with composer Hi Kyung Kim, Associate Professor of Music, UCSC and dancer Ae Ju Lee, Korean National Treasure for Buddhist Dance and Professor of Dance, Seoul National University, Seoul, Korea. Korean Music Series sponsored by the Korea Times, Walt Disney Concert Hall, Los Angeles, CA | |
| 2004 | Sets for dance and new music performance, Rituel III, computer controlled interactive video projection in collaboration with composer Hi Kyung Kim, Associate Professor of Music, UCSC and dancer Ae Ju Lee, Professor of Dance, Seoul National University, Seoul, Korea. Intercultural Creativity in 2004: Asian-American-Australian Sound-Dance and Multimedia Connections. University of Western Sydney, Sydney, Australia. | |
| 2004 | Sets for dance and new music performance, Rituel III, computer controlled interactive video projection in collaboration with composer Hi Kyung Kim, Associate Professor of Music, UCSC and dancer Ae Ju Lee, Professor of Dance, Seoul National University, Seoul, Korea. Symposium of the International Musicological Society, Korean Music Today, Victoria College of the Arts, Melbourne, Australia. | |
| 2003 | Sets for play, Between Pancho Villa and a Naked Woman, three large-scale computer controlled video projections. Mainstage, University of California, Santa Cruz, Santa Cruz, CA | |
| 2002 | Sets for opera, Cézanne’s Doubt, composed by Daniel Rothman, computer controlled interactive video projections, Princeton University Art Museum, Princeton, New Jersey | |
| 1998 | Sets for opera, Cézanne’s Doubt, composed by Daniel Rothman, computer controlled interactive video projections, Los Angeles County Museum of Art, Los Angeles, California | |
| 1998 | Sets for opera, Cézanne’s Doubt, composed by Daniel Rothman, computer controlled interactive video projections, Scottish Rights Hall, Oakland, California | |
| 1996 | Sets for opera, Cézanne’s Doubt, composed by Daniel Rothman, computer controlled interactive video projections, Merkin Concert Hall, New York City, New York | |
| 1996 | Sets for opera, Cézanne’s Doubt, composed by Daniel Rothman, computer controlled interactive video projections, Steirischer Herbst International Festival of Art Graz, Austria | |
| 1995 | Sets for opera, Cézanne’s Doubt, composed by Daniel Rothman, computer controlled interactive video projections, California Institute for the Arts, Valencia, California |
CURATOR
| 2018 |
Curator, Queer Technology, Berkeley Art Center. Berkeley, CA (July – September) Member Programming Board Berkeley Art Center, Berkeley CA. Eight person board. Reviewing and creating programming and exhibition for the Berkeley Art Center |
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| 2015 | Presenter and organizer of a public “Listening Session” at the Santa Cruz Museum of Art and History as part of three day symposium “Against Participation: Value, Form Participation” with International Sound Art Collective Ultra-red. | |
| 2003 | Curator, video program, “Drive-By Shooting” New Langton Arts. San Francisco, California | |
| 2001 | Co-curator, video program, Humans Discontinued for exhibition LifeLike New Langton Arts. San Francisco, California | |
| 1994 | Curator, Techne, group exhibition, Re/Solution Gallery, Los Angeles Center for Photographic Studies, California | |
| 1993 | Curator, A New Sensation, exhibition of interactive art, Seybold Conference, San Francisco, California |
Memberships or Activities in Professional Associations
| 2018 – 2019 | Member San Francisco LGBT Historical Society |
| 2016 – 2018 | Member, UCSC Science and Justice Research Center |
| 2015 – 2016 | Nonsite Collective a Bay Area and national social practice organization. Writers, artists, archivists and others that collectively analyze and creatively respond to social and cultural questions and issues. www.nonsitecollective.org |
| 2013 – 2014 | Professional Organization: Member Association for Environmental Studies and Sciences (AESS) |
| 2014 – 2009 | Nonsite Collective a Bay Area and national social practice organization. Writers, artists, archivists and others that collectively analyze and creatively respond to social and cultural questions and issues. |
BOOKS
| 2007 | Photography: Killian, Kevin, Action Kylie. San Francisco: Small Press Distribution Books, 2007. Photographic average created for book cover art. | |
| 2006 | Anderson, Elliot. Natural History. Artist’s book. San Francisco: Gallery 16 | |
| 2005 | Bellamy, Dodie, et.al. Anderson, Elliot; images. CAMS. Artist’s book. San Francisco: Gallery 16 |
REVIEWS AND ARTICLES
| 2019 | Review: Hotchkiss, Sarah. “With(Out) With(In) the Very Moment’ Honors Legacies of AIDS Activism Through Art” KQED Art and Culture Desk. May 9, 2019 www.kqed.org/arts/1385687/without-within-the-very-moment | |
| 2019 |
Review: Wood, Sarah “Survival tactics” Bay Area Reporter Arts & Culture. April 23, 2019 <https://www.ebar.com/arts_&_culture/art/275264> |
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| 2019 | Review: Sussman, Matt. “Material Witnesses: Art and AIDS at the San Francisco Arts Commission”. Jun 19, 2019 Art in America Online https://www.artinamericamagazine.com/news-features/news/materi | |
| 2019 |
Website: “With(out) With(in) the very moment Eight Artists Reflect on Living during the Gay Liberation Movement through HIV/AIDS Activism”. April 1, 2019 Kunstworks
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| Book Chapter: Emily Scott and Kirsten Swenson, eds., Critical Landscapes: Contemporary Art and the Politics of Land Use (Berkeley: University of California Press, 2014). Elliot Anderson Silicon Monuments | ||
| 2011 | Gallery 16, “These are the People in Your Neighborhood: 16 Years of Gallery 16” Exhibition. Catalog. | |
| 2011 | Illion, Leigh, ed. “Nonsite Collective”, As Yet Untitled: Artists and Writers in Collaboration. San Francisco: SF Camerawork Publications, 2011. | |
| 2010 |
Review: Quick, Genevieve. “The Possibility of Possibilities, Photo/Synthesis” Art Practical, August, 17, 2010. <www.artpractical.com> |
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| 2010 | Review: Maloney, Patricia. “Groundswell”, Art Practical, June 18, 2010. <www.artpractical.com> | |
| 2010 | Review: Cheng, DeWitt. “Kala Gallery’s Rising Tide, Local Artists Stanch the Flow of Oil Rhetoric”. East Bay Express, June 6, 2010. | |
| 2009 | Review: Swanhuyser, Hiya. “Equivalents: So Right It’s Wrongly Right”. San Francisco Weekly, March 9, 2009 | |
| 2009 | Review: Vogel, Tracy. “Elliot Anderson: Equivalents”. San Francisco Weekly, March 3, 2009. | |
| 2009 | Review: “San Francisco Art Gallery Openings”, ArtBusiness.com, February 20 2009. <www.artbusiness.com> | |
| 2009 | Review: Mahler, Laureen. “Equivalents: The Work of Elliot Anderson”. Flavorpill, March 9, 2009, <www.flavorpill.com> | |
| 2007 | Book Chapter: Loverance, Rowena. “The Future of Christian Art: Elliot Anderson’s The Temptation of St. Antony”. Christian Art. Cambridge: Harvard University Press, 2007 | |
| 2007 | Review: Thomson, Michelle Dulak “Sight and Sound”, San Francisco Classical Review, October 16, 2007 | |
| 2007 | Review: “Last week at Museums and the web 2007”, blog.waag.org, April 16, 2007. <blog.waag.org> | |
| 2006 | Interview: Olsen, Stephanie; “Making Art from Tourist Digital Photos”, CNET News.com, March 26 2006 <www.news.com> | |
| 2006 | Review: “San Francisco Art Gallery Openings”, ArtBusiness.com, February 25 2006. <www.artbusiness.com> | |
| 2004 | Article: The Cams Project, Suspect Thoughts: a Journal of Subversive Writing, Body Language, Issue #13, editor Dodie Bellamy. July – December 2004 | |
| 2002 | Bellamy, Dodie; text. Anderson, Elliot; images. “Seven Cameras and Nothing On.” Nest, No. 18. Fall 2002: 190-200. | |
| 2001 | Crump, Anne. “Man with the Mirror.” San Francisco Examiner. October 23, 2001: C2 | |
| 2000 | Review: Chiapella, Julia. “UCSC Art Show Has Lots of Brains.” Sentinel. April 9, 2000: C4 | |
| 2000 | Review: Berry, Colin. “Neural Notations.” Online review, San Francisco CitySearch. January 2000 | |
| 1999 | Catalog: Egeebeen, Rachel. “Touch Me, Talk to me: Interactive Art and Technology,” catalog essay, Interface: Art + Tech in the Bay Area (1998) Duke University Museum of Art: 14-28 | |
| 1998 | Interview: Cornwell, Regina. “Critic to Artists: Q&A-The Computer and Art-Making.” COIL 7 (1998) (published in the United Kingdom): no pagination | |
| 1998 | Catalog: Kodumal, Loraine. “@War: When Bodies and Machines Collide,” catalog essay, Interface: Art + Tech in the Bay Area (1998) Duke University Museum of Art: 30-44 | |
| 1998 | Interview: Kodumal, Loraine. “Interview, Elliot Anderson.” Catalog essay, Interface: Art + Tech in the Bay Area (1998) Duke University Museum of Art: 30-44 | |
| 1998 | Review: “Gallery 16,” ArtByte (April-May 1998): 21-23 | |
| 1996 | Review: Kroker, Arthur and Marilouise. “Global Algorithm 1.6: Memetic Flesh” Cyber-City Special Issues: ga106, 6 June 1996 Arthur and Marilouise Kroker, Editors <www.ctheory.net> |
Public Lecture/Forum Participation
| 2021 | Presentation of Augmented Reality project LGBTQ Memoir to the Leather & LGBTQ Cultural District |
| 2018 | Panel organizer and presenter “Queer Technology” exhibition. Berkeley Art Center, Berkeley, CA |
| Organizer “Queer Games” event, Berkeley Art Center, Berkeley CA | |
| 2016 | Participant and presenter UCSC/Sussex Exchange. University of Sussex, Brighton, United Kingdom |
| Panel participant Open Engagement Conference, Oakland Museum, Oakland, CA. | |
| 2015 | Presenter and organizer of a public “Listening Session” at the Santa Cruz Museum of Art and History as part of three day symposium “Against Participation: Value, Form Participation” with International Sound Art Collective Ultra-red |
| Organizer and presenter of three day symposium entitled “Against Participation: Value, Form Participation” with the International Sound Art Collective Ultra Red in the UCSC Arts Division in collaboration with Porter College. | |
| Panel participant “Art and the Environment Community Dialogue”, ArtLab, Palo Alto CA. | |
| 2014 | Presentation of Research: Leonardo Art/Science Evening Rendezvous (LASER) lecture on Landscape and Technology, UC Santa Cruz. |
| Public Lecture: Sun Valley Center for the Arts public lecture Average Landscape in conjunction with exhibition Wish You Were Here. Sun Valley ID. | |
| 2013 | Public Lecture: Samek Art Gallery, Bucknell University, Lewisberg, PA. Public lecture Average Landscape in conjunction with exhibition Makeover. |
| 2012 | Public Lecture: Series of public lectures and presentations in conjunction with residency/exhibition Common/Waste, Exhibition: As Yet Untitled, SF Camerawork Gallery, San Francisco. |
| Art Work Presentation: Presented Silicon Monuments Augmented Reality App to attendees at the Blue Trails Design Competition in San Francisco | |
| Panel Presentation: Panel participant Art for the Environment, Presentation and discussion of research Silicon Monuments, Augmented Reality Tour, Association for Environmental Sciences and Studies Conference (AESS). | |
| Presentation of Research: International Society of Electronic Arts (ISEA) biannual conference. Poster session presentation; Unnatural Selection. San Jose, Ca. INVITED | |
| 2010 | Public Lecture: Public lecture on artwork Non-Site: Alamos Creek. at Kala Gallery, Berkeley, CA. in conjunction with exhibition Groundswell. |
| Public Lecture: Public lecture at Kala Gallery. Berkeley, CA. Tour of the Monuments of Silicon Valley. Lecture on my current research and the work of Robert Smithson | |
| Mar 18 – Mar 18 2009 | Public Lecture: Public lecture at Gallery 16 in conjunction with solo exhibition Equivalents. Lecture presented to members and staff of the San Jose Institute of Contemporary art. |
| 2008 | Public Lecture: Public lecture at Camerawork gallery San Francisco. Weeding-In:Site Translation as Environmental Practice. Part of a series entitled Translation as Social Practice. |
| 2007 | podcast: Interview and podcast with curator Daniell Cornell for exhibition Average Landscapes. M.H. de Young Museum of Art, San Francisco. |
| Public Lecture: Artist lecture in conjunction with exhibition Average Landscapes, M.H. de Young Museum of Art, SF, CA | |
| Public Lecture: Artist lecture and private donor tour of exhibition Average Landscapes, M.H. de Young Museum of Art, SF, CA | |
| Panel Presentation: UCSC Digital Arts Festival organized and moderated panel: The Art of Biologies and Environmentalism. Elliot Anderson: Moderator Participants: Oron Catts, Artistic Director SymbioticA – The Art & Science Collaborative Research Laboratory School of Anatomy & Human Biology, University of Western Australia; Beatriz da Costa, Assistant Professor, University of California, Irvine, Departments of Studio Art, Electrical Engineering and Computer Science. Gail Wight, Assistant Professor, Department of Art & Art History, Stanford University; Kim Stringfellow, Assistant Professor (multimedia), School of Art, Design and Art History, San Diego State University. | |
| Panel Presentation: Panel member, artists’ panel for exhibition LifeLike, New Langton Arts, San Francisco, California | |
| Panel Presentation: Moderator/Speaker, “The Culture of Interactivity,” International Conference on Interactive Computer Technologies, Visual Arts Foundation, New York City, New York |
HONORS AND AWARDS
| 2019 | San Francisco Arts Commission Artist Honoraria “With(Out) With(In) |
| 2018 | Berkeley Art Center Curatorial Honoraria, “Queer Technology” exhibition |
| 2016 | UCSC Arts Research Institute Mini Grant. “Animated Environmental Justice Documentary” |
| 2015 | UCSC Committee on Research Grant “Interactive Kinetic Sculpture” |
| 2015 | UCSC Arts Research Institute Mini Grant. “Chandelier Photo Printing” |
| 2015 | Porter College Production & Visiting Artists “Symposium Against Participation: Social Action and the Conditions of Neoliberalism” |
| 2015 | Arts Dean’s Fund for Excellence “Symposium Against Participation: Social Action and the Conditions of Neoliberalism” |
| Jan – Jan 2014 | Honorarium: Sun Valley Art Center lecture honorarium. |
| 2013 – 2014 | U.C. Institute for Research in Arts Open Classroom Grant for course “Pedagogy of the Ear: Sound and Social Practice” Funds used for series of visiting artist workshops with the international art and activism collective Ultra-red. |
| 2013 – 2014 | Funding: Arts Division Dean’s Arts Excellence Fund for course “Pedagogy of the Ear: Sound and Social Practice” with the international art and activism collective Ultra-red. |
| Apr – May 2013 | Artist Residency: Ragdale Artist Residency Lake Forest IL (Juried) |
| 2013 | Honorarium: Samek Art Gallery, Bucknell University lecture honorarium. |
| 2012 – 2013 | Academic Senate Committee on Research – SRG: funding for development of Silicon Monuments augmented reality documentary |
| 2012 – 2013 | Funding: Arts Division Dean’s Arts Excellence Fund for Silicon Monuments augmented reality documentary |
| 2012 | Juried Artist Grant: Finalist for The Walter and Elise Haas Foundation Creative Work Fund Grant for Silicon Monuments (Not granted) |
| Mar – Mar 2011 | Commission: U.S. State Department Art in Embassies selected artist. Commission for the U.S. Embassy in Lusaka, Zambia, Africa. Diptych. Digital transparency on lightboxes. 72″ H X 48″ Average Niagara/Victoria Falls |
| Jan – Feb 2011 | Artist Residency: Camerawork Gallery Artist Residency in collaboration with Nonsite Collective. Individual creative work Common/Waste, San Francisco, CA (January – April). |
| 2010 – 2011 | Academic Senate Committee on Research – FRG: Initial research and test equipment for Silicon Monuments Augmented Reality Tour. |
| 2010 | Juried Artist Grant: SJ01 the 2nd Biennial Global Festival of Art on the Edge artist creative grant, San Jose CA. For exhibition of project Cathexispin |
| Jun – Jun 2009 | Artist Residency: Red Cinder Creativity Center, Artist Residency, Na´alehu, Hawaii. (Juried) |
| 2008 – 2009 | Academic Senate Committee on Research – FRG: Lightbox and photography production for solo exhibition Equivalents at Gallery 16 in San Francisco. |
| 2008 | Artist Residency: Virginia Center for the Creative Arts, Artist Residency, Amherst Virginia. (Juried) August 2008 – Semptember 2008 |
| 2007 – 2008 | Academic Senate Committee on Research – FRG: Equipment for 3D modeling, video and image creation for exhibition Average Landscape, M.H. De Young Museum San Francisco Fall 2007 |
| 2007 | Artist Award: Nominated for Fleishaker Foundation Eureka Fellowship grant ($25,00.00). (not granted) |
| 2006 – 2007 | Academic Senate Committee on Research – SRG: Average Landscape solo exhibition at M.H. De Young Museum fall 2007. Production of large scale digital transparencies on lightboxes. |
| 2005 – 2006 | Academic Senate Committee on Research – FRG: payment for student assistant software developer for performance interactive video for Rituel III dance performance |
| 2005 – 2004 | Academic Senate Committee on Research – FRG: research and development of software and media for interactive video sets for performance of Rituel III |
| 2003 – 2002 | Academic Senate Committee on Research – FRG: interactive video for revised production and performance of Cezanne’s Doubt at Princeton University Art Museum |
| 2001 – 2002 | Academic Senate Committee on Research – FRG: Research and equipment funds for interactive installation. |
GRANTS
| 2020 | Principal Investigator, UCSC Arts Research Institute Mini Grant. “LGBTQ Memoir Augmented Reality Documentary” ($2500) | |
| 2016 | Principal Investigator, UCSC Arts Research Institute Mini Grant. “Animated Environmental Justice Documentary” ($3000) | |
| 2015 | Principal Investigator, UCSC Committee on Research Grant “Interactive Kinetic Sculpture” ($1500) | |
| 2015 | Principal Investigator, UCSC Arts Research Institute Mini Grant. “Chandelier Photo Printing” ($2500) | |
| 2015 | Principal Investigator, Porter College Production & Visiting Artists “Symposium Against Participation: Social Action and the Conditions of Neoliberalism” ($10,000) | |
| 2015 | Principal Investigator, Arts Dean’s Fund for Excellence “Symposium Against Participation: Social Action and the Conditions of Neoliberalism” ($5000) | |
| 2013 – 2014 | Principal Investigator, U.C. Institute for Research in Arts (UCIRA) Open Classroom Grant for course “Pedagogy of the Ear: Listening as Social Practice” Funds used for series of visiting artist workshops with the international art and activism collective Ultra-red. $2,500 | |
| 2013 – 2014 | Principal Investigator, Arts Division Dean’s Arts Excellence Fund for course “Pedagogy of the Ear: Sound and Social Practice” with the international art and activism collective Ultra-red. $500 | |
| 2012 – 2013 | Principal Investigator, COR SRG for Silicon Monuments augmented reality documentary. $8,000 | |
| 2012 – 2013 | Principal Investigator, Arts Research Institute Mini-Grant for the Monuments of Silicon Valley augmented reality tour. $1,367 | |
| 2012 – 2013 | Principal Investigator, Arts Division Dean’s Arts Excellence Fund for Silicon Monuments augmented reality documentary $800 | |
| 2010 – 2011 | Principal Investigator, UCSC Arts Research Institute Major Grant for research of environment and landscape. Intitial research for Silicon Monuments Documentary. $5,000 | |
| 2010 – 2011 | Principal Investigator, COR FRG Initial research and test equipment for Silicon Monuments Augmented Reality Tour. $2,500 | |
| 2010 | Principal Investigator, SJ01 the 2nd Biennial Global Festival of Art on the Edge artist creative grant, San Jose CA. For exhibition of project Cathexispin $500 | |
| 2009 – 2010 | Principal Investigator, UCSC Artist Research Institute Grant. Research and equipment for Nonsite: Alamitos Creek hydroponic installation. Exhibited Kala Art Gallery 2010 $2,000 | |
| 2008 – 2009 | Principal Investigator, COR FRG Lightbox and photography production for solo exhibition Equivalents at Gallery 16 in San Francisco. $2,500 | |
| 2008 – 2009 | Principal Investigator, UCSC Arts Research Institute Mini Grant. Materials and research for Weeding In project. Public performance and exhibition. Research led to creation of Nonsite: Alamitos Creek $2,000 | |
| 2008 – 2009 | Co-Principal Investigator, CTE mini-grant Editing and production of video from a series of Art Department visiting artist lectures. With Associate Professor Melissa Gwynn, Art Department $2,000 | |
| 2007 – 2008 | Principal Investigator, UCSC Arts Research Institute Mini Gran. Materials and Equipment for solo exhibition Average Landscape Fall 2007 M.H. De Young Museum San Francisco $2,000 | |
| 2007 – 2008 | Principal Investigator, COR FRG for equipment for 3D modeling, video and image creation for exhibition Average Landscape, M.H. De Young Museum San Francisco Fall 2007 $2,500 | |
| 2007 | Principal Investigator, ACOR Travel Grant. Travel to Washington DC for performance of O Wall at the Kennedy Center. $750 | |
| 2006 – 2007 | Principal Investigator, UCSC Arts Research Institute Mini-Grant research in robotics and plants for installation Hudson River Bonsai $2,000 | |
| 2006 – 2007 | Principal Investigator, COR SRG for Average Landscape solo exhibition at M.H. De Young Museum fall 2007. Production of large scale digital transparencies on lightboxes. $8,000 | |
| 2005 – 2006 | Principal Investigator, UCSC Arts Research Institute Mini-Grant production of artist book CAMS. $2,000 | |
| 2005 – 2006 | Principal Investigator, Arts Research Institute Off Cycle Grant. Computer equipment for photographic production and software development. $2,735 | |
| 2005 – 2006 | Principal Investigator, COR FRG for student assistant software developer for performance interactive video for Rituel III dance performance $2,490 | |
| 2004 – 2005 | Principal Investigator, UCSC Arts Research Institute Major Project Grant for production of interactive video sets for performance of Rituel III $2,500 | |
| 2004 – 2005 | Lead Artist, ACOR Travel grant for performance of Rituel III in Sydney and Melbourne Australia $1,000 | |
| 2004 – 2005 | Co-Investigator, Performance Grant, University of Western Sidney with Hi Kyung Kim for collaboration Rituel III, Sydney Australia AUS 3500.00 | |
| 2004 – 2005 | Principal Investigator, COR FRG research and development of software and media for interactive video sets for performance of Rituel III $2,500 | |
| 2004 | Co-Investigator, Korean Ministry of Culture and Sports with Hi Kyung Kim for collaboration Rituel III, Seoul, Korea $20,000 | |
| 2003 – 2004 | Co-Principal Investigator, Arts Research Institute Collaborative Research Major Project Grant with Hi Kyung Kim, Music Department. Development of interactive video sets for performance Rituel III $6,000 | |
| 2003 – 2004 | Principal Investigator, UCSC Arts Division Research Grant for robotic sculpture research. $1,000 | |
| 2004 – 2003 | Principal Investigator, DANM FRA Grant. Computer for development of interactive graphics. $2,350 | |
| 2002 – 2003 | Principal Investigator, Porter College Freshman Discovery Seminar Stipend for two unit freshman class “curating technologies” $2,000 | |
| 2002 – 2003 | Principal Investigator, COR FRG interactive video for revised production and performance of Cezanne’s Doubt at Princeton University Art Museum $2,500 | |
| 2002 – 2003 | Principal Investigator, UCSC Arts Division Research Grant. Production of interactive video sets for new performance of Cezanne’s Doubt at Princeton University Art Museum. $1,000 | |
| 2002 – 2003 | Principal Investigator, Center for Teaching Excellence Major Grant for purchase of video and audio editing station for digital art classes. $15,000 | |
| 6 | 2001 – 2002 | Principal Investigator, COR FRG research and equipment funds for interactive installation. $1,500 |
| 6 | 2001 – 2002 | Principal Investigator, UCSC Arts Division Research Grant for development of interactive installation work. $1,000 |